ArtStars* 55 – Gilbert and George

“ArtStars* 55 – Gilbert and George in Berlin // May 19, 2011
When UK divas Gilbert and George heard that ArtStars* was coming to ARNDT Gallery in Berlin — they left the place running. We chased them down the street on the way to their hotel, to learn that they think all art world liberals are bigots…[read on…]


Vincent & Flo, Performance at Basso

Interview by Isabel Lewis – in Berlin, Saturday, Apr. 23, 2011.

I encountered the performance work of Florentia Holzinger and Vincent Riebeek at Creature Feature, a monthly performance series held at Basso. Framed as a queer performance series and curated by Jeremy Wade, Creature Feature, more than staking a claim to the ideologies of the artists it presents, points out the utter otherness of performance itself…[read on…]

Last Week I will Have a 1:8 Conversation with Wil Murray: A Conversation with Wil Murray

Wil Murray, photo: Mike Milosh

Interview by Elvia Pyburn-Wilk – in Berlin, Friday, Apr. 15, 2011
Wil Murray is a Canadian painter currently living in Berlin. I recently met with him at his studio in the the cavernous former DDR radio station, to discuss his upcoming exhibition, Last Summer I Will Build a 1:8 Scale Model of Your Vagina. On the day of our meeting I was successfully lured to the correct studio by the psychedelic rock reverberating from Murray’s boom box through the Berliner Funkaus’ empty halls…[read on…]

Compass at Martin-Gropius-Bau: Navigating the world of Contemporary Drawing

Article by Jessyca Hutchens – in Berlin; Wednesday, Mar. 16, 2011.

Around 2005, I did two things: undertook a course called the History of Drawing and got myself a copy of Phaidon’s Vitamin D: New Perspectives in Drawing. The course, much to my disappointment, was fairly archaic in approach. The history of drawing was treated as a parallel history to the main event, always seen in relation to how it reflected or enhanced an artists “other”…[read on…]


Article by Isabel Lewis – in Berlin; Monday, Mar. 14, 2011.

A group of Berlin-based performance makers and thinkers band together to present a four-day “performance assembly.” The four-day mini-festival of performances, discussions, and partying is called FOR THE TIME BEING. The self-organizing group of artists and thinkers are an international set (from Australia, Austria, Germany, Poland, Russia, Spain, UK, and USA) whose loose…[read on…]

A Conversation on Curating with Carson Chan

Interview by Clare Ros in Berlin // Mar. 03, 2011
Challenging conventions is not an unfamiliar territory for Carson Chan, a curator of PROGRAM. With a background in architectural design and theory, he comes out of a sensibility when “being exposed to…[read on…]

Why James Franco is a Feminist

Article by Elizabeth Feder in Berlin // Feb. 18, 2011
Taking in the entirety of James Franco’s Berlin exhibition of The Dangerous Book Four Boys at Peres Projects is a challenge, but there is a haptic, material quality to the show that acts as…[read on…]

transmediale.11 – RESPONSE:ABILITY

Article by Mikhel Proulx – in Berlin, Tuesday, Feb. 15, 2011.

The first week of February saw the latest incarnation of transmediale: Germany’s preeminent meeting-ground for art and technology. Like it’s institutional big-brother Ars Electronica (taking place yearly in the Austrian city of Linz), transmediale is amongst Europe’s highest esteemed media arts festivals. Through workshops, lectures, multiple exhibitions, film and video screenings, performances and concerts (presented by [read on…]

On dead fish and Reynold Reynolds at Haus der Kulturen der Welt

Article by Elvia Pyburn-Wilk – in Berlin, Tuesday, Feb. 15, 2011.

Last week at Transmediale’s grand opening, Reynold Reynolds debuted his Secrets Trilogy, a cycle of three videos that he has been working on for the past three years. Reynolds’ show is supported by the exhibition series LABOR Berlin, which started in 2010 and “is dedicated to the creativity and potential of international artists who have chosen Berlin as their new home.” I had seen two of Reynold’s videos before, but the Transmediale [read on…]