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Designing from Difference: An Interview with DisOrdinary Architecture Project
by Zoë Ritts // Dec. 18, 2020
The DisOrdinary Architecture Project is a UK–based practice that seeks to develop new processes of spatial design and spatial justice in the built environment…[read on]
Drag Syndrome: An Interview with Artistic Director Daniel Vais
by Intissare Aamri // Dec. 11, 2020
Culture Device is revolutionizing the definition of art and beauty through its projects. One such project, Drag Syndrome, is an inclusive platform for exceptional artists with learning disabilities…[read on]
Combatting Institutional Ableism in Germany: An Interview with Berlinklusion
by Judith Vallette // Dec. 4, 2020
Self-described as a strong network of artists and art mediators eager to counter mainstream ableist narratives and work towards inclusivity in arts and culture, Berlinklusion organizes a myriad of events and workshops and offers consulting…[read on]
Contexts of Trust: An Interview with Sickness Affinity Group
by Noëlle BuAbbud // Nov. 27, 2020
Contemporary cultural production is upheld by structures that are exclusive, extractive and exhausting. Sickness Affinity Group offers an alternative to an individualized, competitive mode of artistic production…[read on]
Art Beyond Labels: An Interview with Manuel Solano
by William Kherbek // Nov. 20, 2020
The creation of art is often dialogic. An artist establishes a connection with the material world or an interior discourse and produces a work in response. The work of the Berlin-based Mexican artist Manuel Solano is dialogic in both this metaphoric sense of the term…[read on]
Choreographing a Culture of Welcoming: An Interview with Jerron Herman
by Noëlle BuAbbud // Nov. 17, 2020
Jerron Herman, interdisciplinary artist based in New York, explores movement and performance as a site for bodies to relate and celebrate the sensory awareness of being…[read on]
Accessibility in Inaccessible Spaces: An Interview with Shannon Finnegan
by Emily McDermott // Nov. 10, 2020
Seeing a bench in a gallery that says “This exhibition has asked me to stand for too long. Sit if you agree,” is a sight for sore eyes—not to mention sore bodies…[read on]