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Article by Penny Rafferty in Berlin // Jan. 04, 2017
Canadian artist Char Davies pioneered the genre now known as immersive virtual reality (VR) in the 1990s. Davies built the famous ‘Osmose’ (1995), a fully immersive artwork that changed the role of the user in radical…[read on]
Article by Louisa Elderton in Berlin // Dec. 25, 2016
How can we capture and represent a changing world, caught in the moment of transition? In the work of Marwan Rechmaoui, a large floor-based black rubber map delineates the entire city of Beirut, sixty individual…[read on]
Article by Alison Hugill in Berlin // Dec. 14, 2016
Beirut’s Temporary Art Platform is a curatorial platform that develops art projects relating to the public realm. T.A.P. supports and encourages art practices concerned with public space, urban and social design,…[read on]
Article by Louisa Elderton in Berlin // Dec. 05, 2016
How do we perceive the world as it changes around us, mediating the transition between before and after? How does this process bring with it new meaning, a new understanding of what came first?…[read on]
Article by Louisa Elderton in Berlin // Nov. 30, 2016
I first encountered the work of Belgian-born Philip Aguirre y Otegui at this year’s Ireland Biennale, EVA International, being struck by his new installation ‘Cabinet Mare Nostrum’. Monotone blue, coffin-shaped boats…[read on]
Article by Nat Marcus in Berlin // Nov. 28, 2016
The textual, alphabetical characters spelling out subtitles also become acting, narrative characters in the films of Berlin-based Amelia Umuhire. As self-taught director, Umuhire represents the…[read on]
Article by Beatrix Joyce in Berlin // Nov. 27, 2016
Speech is perhaps the most direct form of communication available to the human race. By selectively using words that have been sourced from a vast vocabulary, any given person is able to express their thoughts and…[read on]
Article by Brit Seaton in Berlin // Nov. 25, 2016
Akademie der Künste’s exhibition ‘Uncertain States’ presents an contemporary and archival works, standing as artistic resistance against human crisis…[read on]
Article by Nat Marcus in Berlin // Nov. 21, 2016
As a premise, Embassy for the Displaced could seem like a bureau written into a Borges story: the design-based collective remains anonymous, and explicitly defines itself as an institution, a consulate general of…[read on]
Article by Alison Hugill in Berlin // Nov. 18, 2016
Norwegian artist Marianne Heier is known for her politically-charged performance and installation works. While practice work has always been underpinned by anti-capitalist aims, she’s taken on a series of pertinent issues…[read on]
