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Article by Göksu Kunak in Berlin // Mar. 27, 2017
“Yes to redefining virtuosity; Yes to conceptualizing experience, affects, sensation; Yes to materiality/body practice; Yes to investment of performer and spectator”, writes choreographer…[read on]
Article by Beatrix Joyce in Berlin // Nov. 11, 2016
An aquamarine patterning, reminiscent of kaleidoscopic imagery, covered the stage for Adam Linder’s ‘Kein Paradiso’. Unmistakably playing on the theme of camouflage, the intricate set design…[read on]
Article by Henry Andersen // Jan. 12, 2015
What spirit possesses the objects in Philippe Parreno’s exhibition ‘Quasi Objects’ at Esther Schipper Gallery, so that they seem to move about of their own volition? Is it the spirit of poetry or that of philosophy…[read on]
