This year’s Bulgarian Pavilion, opening at the 61st Venice Biennale of Art next month, is framed as the headquarters of a fictional research lab, set in a future political landscape…[read on]
Continuing its tradition of inhabiting a different allotment garden community in Neukölln’s district of Britz for each edition, Britzenale takes place this year at Kleingartenanlage…[read on]
Curated by Hera Chan, Marisa Phandharakrajadej, Arin Rungjang and David Teh under the title ‘Eternal [Kalpa],’ Thailand Biennale Phuket foregrounds a conception of time…[read on]
From April 30th to May 3rd, the champagne house Ruinart will open a special venue for art and enjoyment at the historic PalaisPopulaire during Gallery Weekend Berlin…[read on]
From the back of a rehearsal studio a couple weeks before ‘Roses Rising – The Dinner’ premieres at HAU, I watch as one of Leila Hekmat’s cast languishes on a chaise longue…[read on]
Upstairs at Akademie der Künste’s Hanseatenweg location, the exhibition space holds the works of 25 artists, each offering a unique and intimate look into creation in times of crises…[read on]
‘Let us Believe in the Dawn of Spring’ is a group show curated by Anahita Sadighi and presented in her eponymous gallery. The multi-sensory immersive experience—the…[read on]
This spring, Berlin Art Link shines a spotlight on international exhibitions and events with our list of Top Exhibitions. We want to highlight artists, galleries, museums and new projects…[read on]
Sound as haptic, spatial and architectural experience remained in the spotlight this year at MaerzMusik, but the promising interplay between different senses was a case…[read on]
Kyiv-born, Norway-based artist Lesia Vasylchenko works across video, photography and installation, examining how technological infrastructures reshape perception, memory…[read on]
When the world begins to change in ways that seem difficult to stomach, we tend to step towards the past, looking for sympathy but finding empathy. Thematized in…[read on]
What’s worse than the insincerity of comedy as a response to the grave? The performance of sincerity. Unsolicited, self-serving gestures of moral goodness…[read on]
