Jens Hanke’s “Island Me” at Galerie Hunchentoot
Article by Anna C. Purcell – in Berlin; Monday, Jun. 25, 2012.
Article by Anna C. Purcell – in Berlin; Monday, Jun. 25, 2012.
Article by Alison Hugill, photos by Chloé Richard and Olivier Toggwiler – in Berlin; Friday, Jun. 22, 2012.
Article by Alison Hugill – in Berlin; Wednesday, Jun. 20, 2012.
Article by Anna C Purcell – in Berlin; Monday, Jun. 18, 2012.
Article and photos by Dina Münzfeld in London; Friday, Jun. 15, 2012.
Article and photos by Jeni Fulton – in Berlin; Tuesday, Jun. 12, 2012.
Article by Anna C. Purcell, photos by Chloé Richard – in Berlin; Monday, Jun. 11, 2012.
On Friday, June 8th, Berlin Art Link presented the second installment of its Night & Day Series, 404 NOT FOUND, at TorStrasse’s Sur la Montagne. The six artists’ works functioned as a commentary on the challenges and antagonisms that exist between web works and conventional, gallery-ready art…[read on…]
Article by Alison Hugill – in Berlin; Thursday, Jun. 07, 2012.
Interview by Jeni Fulton – in Berlin; Tuesday, Jun. 05, 2012.
The New Berlin Painters launch their first exhibition at Statt Berlin Gallery on June 8, 2012, featuring the works of Paul Vogeler and Moritz Hoffmann. Vogeler and Hoffman showcase their latest works in an exhibition accompanied by a catalogue, words from Jerry Saltz, a manifesto, among other elements…[read on…]
Article and photos by Anna Smith – in Berlin; Tuesday, Jun. 05, 2012.
Essays and Observations’ minimal website intrigued me into visiting the gallery and seeing the exhibition with the equally intriguing title “appropriation”. The website, like many gallery websites is sleek but unlike most of them, lacks images. It compensates for that strange lack of imagery with well thought out texts. After reading them, I started seeing this lack of visual stimuli as a challenge to first understand…[read on…]
Article by Max Schreier, photos by Chloé Richard – in Berlin; Saturday, Jun. 02, 2012.
Aram Bartholl is an tech artists who makes objects by capturing electronic moments, developing them into classical forms, and using the most analog processes to create digital forms. His work falls into the avant garde not by its innovative methods, but rather by its means of handling the often difficult to tame medium of the web. When I visited Bartholl…[read on…]
Article by Alison Hugill – in Berlin; Wednesday, May 30, 2012.
The space at Berlin Kreuzberg’s Delloro Contemporary Art, run by Italian gallerist Rolando Anselmi, is a radiant setting for any exhibition: the fortress-like doors of this third-floor warehouse loft open onto an exquisite white space, with multiple floor-to-ceiling windows dispensing light from either side…[read on…]