Feature Topics

Istanbul Design Biennial

Article by Alison Hugill, photos by Jana Koschack – in Istanbul; Monday, Oct. 22, 2012.

The weekend of October 13th marked the opening of the first Istanbul Design Biennial in the Beyoğlu district of Turkey’s largest city. Working from the theme ‘Imperfection,’ the curators Emre Arolat and Joseph Grima developed two separate exhibitions highlighting over 100 projects by…[read on…]


Interview with Paolo Grassino

Paolo Grassino, photo by Nikki Brendson
by Jeni Fulton // Oct. 19, 2012
Sculptor Paolo Grassino (Turin, 1967) creates large-scale installations using industrial materials. Plastic piping, cargo pallets, latex and steel are marshalled to create landscapes and figures…[read on…]

Last Chance to See Wael Shawky at KW

Wael Shawky

Article by Adela Yawitz – in Berlin; Monday, Oct. 15, 2012.

Over the summer, the entrance level hall of KW Institute became a branch of the Occupy movement, getting dirtier, less museum-like and more Zuccoti-park-like as the Berlin Biennial went on. More confusing were the occupy Kassel tents, outside of the main hall of dOCUMENTA (13), where Wael Shawsky’s work was among the pieces on view. The visual effect of the two camps was almost identical, even…[read on…]


Dennis Hopper at Martin-Gropius-Bau

Article by Anna C. Purcell – in Berlin; Saturday, Oct. 06, 2012.

Well-known actor turned photographer, Dennis Hopper‘s lifelong career contains an overwhelming amount of stunning images. His works, which are brazenly political, capture the vitality of American culture in the 1960s. The Lost Album, which…[read on…]

Thomas Demand at Sprüth Magers Berlin

Article by Angela Connor in Berlin // Oct. 02, 2012.
German artist Thomas Demand (b. 1964) is well known for his large-format photographs of life-sized three-dimensional sculptures made from cardboard and paper. Trained as a sculptor at the prestigious Kunstakademie…[read on…]


Brice Guilbert’s Lyrical Abstraction

Brice Guilbert, "Fantôme / Levier / Obstacle," charcoal on wall, 2012; photo by Evanna Folkenfolk

Article by Evanna Folkenfolk – in Berlin; Tuesday, Sep. 25, 2012.

“It is the representation of ideal feelings,” he says, and somehow this makes sense. “It is the romantic tension between interiority and exteriority, the tension between what I try to do with the space inside of my self and the space outside.”… [read on…]


Review: Art Berlin Contemporary 2012

Slavs and Tatars
by Jeni Fulton // Sep. 12, 2012
The fifth edition of Art Berlin Contemporary, or abc presented itself in refreshingly new colours this year. Gone were the awkward ‘curatorial’ premise of last year’s show…[read on]


Berlin Art Link’s Night & Day Series #3: Eva Maria Salvador & John Kleckner

Eva Maria Salvador & John Kleckner

Article by Angela Connor – in Berlin; Wednesday, Sep. 19, 2012.

Last weekend, Berlin Art Link presented its third exhibition in their ongoing Day & Night series with American artist John Kleckner and Swiss artist Eva Maria Salvador. This exhibition followed on from their first collaborative exhibition Köpfe und Helme (2011) and explored notions of mortality, entropy, regeneration and metamorphosis, whilst engaging in the creative repurposing of recycled materials…[read on…]

Interview // Anna Jill Lüpertz & Sophie Weiser

AJLart

Interview by Anna C. Purcell in Berlin // Sep. 11, 2012
With the diversity of contemporary works, it seems implausible to find a space that fits all artists, methods, and content range too dramatically. Two Berliners embraced the need for change, initiating the search for individualistic[read on]


No Sommerloch at Tanz im August

A Coming Community

Article by Adela Yawitz – in Berlin; Thursday, Aug. 30, 2012.

To admit, I spent an inordinate amount of time, last month, watching olympic gymnasts do impossible things on the barbie-pink mattresses of the London gymnastic hall. In glittering one-pieces, their makeup running with tears and sweat, these girls’ bodies were hypnotizing, their efforts communicating no message besides years of practice and physical ability. I watched on safely from my couch…[read on…]


A phonic occupation. Interview with Sebastiaan Schlicher at London’s French Riviera

Interview by Francesca Brooks – in London; Monday, Aug. 20, 2012.

French Riviera is closed over August, but disappointed visitors should feel free to call and leave a message. Sebastiaan Schlicher’s answerphone project is a sign that all is not dead at the other end of the line. The second installment in an ongoing sound art series, Schlicher’s piece will function as the interim performance piece…[read on…]