“Fake” is the thread weaving through all of Emma Adler’s works and it appears in different forms: virtual reality, replica, realistic theatre prop, an unrealistic concrete wallpaper,…[read on]
The group exhibition ‘Mimicry-Empathy,’ curated by German artist Susanne Bürner, brings together works that activate deep connections between the two concepts…[read on]
Petrit Halilaj slips into one of the two costumes lying on the floor. Suddenly, there is a big fuzzy creature with a bushy tail and a mask-like band of black around its eyes standing in…[read on]
Sharp, small, but sweet, ‘read that twice’ is a layered and ironic assessment of the modern-day value system. Though limited in size, it possesses the potential to leave each visitor with…[read on]
Rhea Myers has been creating art using advanced digital blockchain technologies since 2013. Her work is defined by a sophisticated understanding both of computation and programming…[read on]
Oral histories, storytelling, and their interconnectedness to land and water are vital to First Nations culture and art in so-called Australia, where Indigenous systems of knowledge…[read on]
Kubra Khademi (1989) is an Afghan artist who moved to Paris in 2015 after receiving threats in response to a performance on violence against women that she staged in…[read on]
One could say that Nadya Sayapina’s life and art are inextricably marked by a double occupation—the now almost permanent occupation of Belarus by Russia, as well as…[read on]
HKW is currently presenting a curated cluster of works by veteran filmmaker Alanis Obomsawin. Born into the Abenaki First Nation, Obomsawin has documented, celebrated and mourned…[read on]
We spoke to curator Corina L. Apostol about the themes explored in the upcoming exhibition and the critical approach to colonial histories taken by the artistic team, in collaboration with…[read on]
Dutch artist Renzo Martens—famous for numerous, complex, sometimes repulsive, acts of artistic holy foolery—is back with a new chapter in his ongoing project at KOW in Mitte,…[read on]
