Born in the Czech Republic and now based in Berlin, Hosnedlová conducted an extensive investigation of Ještěd Tower, a 94-meter-tall television transmitter…[read on]
White concrete walls and monumental high ceilings grant a clarity of mind and spirit in the gallery spaces of Sprüth Magers’ Berlin location, where two new…[read on]
‘Absent Touch’—Pakui Hardware’s installation currently on view at carlier | gebauer—gives one the sense of having stepped into a futuristic surgical environment…[read on]
After waiting in a long, nightclub-style queue, we enter Copenhagen Contemporary into a scene filled with building materials and leftovers from former exhibitions…[read on]
Kristina Schuldt is fundamentally a modernist artist. Her work embodies influences from Post-Impressionism, Cubism and late Futurism. In her desire to break away…[read on]
Anna Mikkola’s video work ‘Ghosts in the Climate’ (2019) opens with a superposition of three paintings from Claude Monet’s 41-work series depicting the Waterloo…[read on]
Entering into Ambera Wellman’s exhibition ‘Logic of Ghosts’ is much like stepping through the looking glass. Customary white gallery walls—perfect for projection and…[read on]
The first appearance of refugees as a mass phenomenon occurred at the end of World War I and the number of people fleeing war and persecution has never…[read on]
‘Sunburst’ consists of a two-part installation made over the course of Canadian artist Amélie Laurence Fortin’s year-long residency at Künstlerhaus Bethanien. The solo…[read on]
Art Laboratory Berlin welcomed their newest exhibition series The Camille Diaries this last Thursday. The Camille Diaries creates a discourse on the intersection between conceptions…[read on]
This year’s Berlin Biennale interrogates many forms of oppression enacted globally, coaxing to the surface seldom-heard stories of the marginalized, forgotten and violently silenced…[read on]