Marianne Thoermer’s studio has the two key ingredients of light and space. The street outside is peppered with trees—from one sounds the high-pitched call of a redstart and its mate…[read on]
Su Yu Hsin’s studio feels like a haven of order and calm in this chaotic city. The space itself is bright and airy, with high ceilings and French windows opening onto the courtyard down below…[read on]
The defining feature of Via Lewandowsky’s practice is not a material or a theme but an attitude—a nearly palpable, restless curiosity. It is also what makes his work so difficult to pin down…[read on]
Climbing the stairs to Anan Fries’ Kreuzberg flat, which also houses their studio, I lament the fact that these visits always seem to coincide with the few unbearably hot days that this…[read on]
Marianna Simnett seems to have an impressive array of light fixtures in her Siemensstadt studio; this makes sense, given that the space is based in a former light bulb factory, which is…[read on]
We head to the studio, which is a small bustling room tucked away at the end of her apartment’s hall. Its surfaces are covered in images, drawings, sketches. Flags and printed…[read on]
Fette Sans welcomes us into her Prenzlauer Berg studio on the first really hot day of the year. The glass-fronted, ground floor space, draped in sensual purple crocodile velvet, offers…[read on]
A creak of a nearby door and Jenna Sutela waves our team inside, ushering us through the courtyard to the back of the building, where her studio is located amidst…[read on]
Chloé Lee’s studio is located in a calm residential street on the top floor of an apartment building, and it overlooks a tree-lined courtyard. Despite it being a rather cool early April day…[read on]
When, during our studio visit, Nadine Fecht asks “how can we co-exist together?” she speaks to the tension between the multitude and the individual…[read on]
