I first entered the Prenzlauer Berg studio of Chiharu Shiota one year ago. How quickly a year passes. I took off my shoes at her request: blue or grey slippers? Blue…[read on]
“I feel the building and I are quite in sympathy with one another,” explains the lean and genial artist, David Thorpe, in his Moabit studio. “It feels soft as if…[read on]
Along one wall and spanning a corner of her studio, Birte Bosse stages small-scale exhibitions in order to visualize interactions between works,…[read on]
The geometrical shapes and subdued colours of Katja Strunz’s works are aesthetically consonant with her high-ceilinged, brightly lit studio in Kreuzberg, as if they…[read on]
During the visit to Lindsay Lawson’s studio, we spent a significant amount of time searching for the perfect word to describe her heterogeneous practice,…[read on]
Anne Duk Hee Jordan’s studio is a cross between a metal workshop and a wunderkammer, neatly divided down the middle. Against the far window sill she has carefully…[read on]
AA Bronson is a little like the art world’s Father Time. With a long white beard to underscore his twinkling eyes and a body of work that continually invokes the presence…[read on]
Arriving at the Friedrichshain studio of Daniel Gustav Cramer, I did not bring any zoom recorder or other microphone, only a pencil and small writing pad. Cramer…[read on]
Artist studios in the city are as diverse as the neighborhoods that they crop up in. Always shifting through industrial blocks – anonymous areas where you…[read on]
Eyal Burstein points nonchalantly to the four corners of his Kreuzberg hinterhof studio space and labels them for me: “these are my prototypes, this is where I photograph the…[read on]
