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Nothing Is Destroyed: Esvin Alarcón Lam
by Mia Butter // Feb. 4, 2025
“All things are alter’d, nothing is destroyed,” writes John Dryden, translating Odin’s ‘Metamorphosis.’ Or M. NourbeSe Philip, who borrows this epigraph from Odin in her book…[read on]
Digital Portals: An Interview with Shu Lea Cheang
by William Kherbek // Jan. 31, 2025
Shu Lea Cheang is a ground-breaking Taiwanese artist whose works have long considered the cycles of growth and decay in rural, urban and digital environments, as well as the ways in which organic and non-organic…[read on]
Teleconnections: On Cycles of Media, Climate and Politics
by Sumugan Sivanesan // Jan. 21, 2025
Artist, researcher and curator Sybille Neumeyer recently opened the group show ‘Teleconnections’ at D21 Kunstraum Leipzig, as part of her long-term artistic research into the narratives and aesthetics of climate crises…[read on]
The Life Cycle of Art Objects: An Interview with Vera Kox
by Dagmara Genda // Jan. 14, 2025
Vera Kox’s affectionately named “creatures” look like something between industrial pollution—think of the white blobs of polyvinyl acetate that recently washed onto the shores…[read on]
Letter from the Editor: Cycles
by Alison Hugill // Jan. 10, 2025
At the top of our news cycles right now are the devastating wildfires engulfing much of Los Angeles. These kinds of climate catastrophes…[read on]