Posts Tagged ‘Berlin contemporary art’
Article by Sofia Bergmann // Jan. 08, 2019
When familiarity and mystery fuse until they are indistinguishable from each other, the boundless space for different possible meanings suddenly opens. John Bock’s solo exhibition ‘Unheil’ blurs…[read on]
Openings and events at District Berlin, Galerie Buchholtz, Image Movement, Eigen+Art Lab, Berlinische Galerie, Schwarz Contemporary, KW Institute, Schwartzsche Villa, Schiefe Zähne, Haus am Lützowplatz, Helga Maria Klosterfelde Edition, BQ Berlin,…[read on]
Openings and events at Rosalux, Scharaun, Somos, East of Elsewhere, Berlin Blue Art, Kunstpunkt Berlin, Architecture Galerie Berlin, Spektrum, Kuckei-Kuckei, Klemms, Cave3000, Nationalmuseum, Kraftwerk Berlin, Hošek Contemporary, Super Bien!,…[read on]
Juan A. Gaitán: Curator of 8th Berlin Biennale
by Alison Hugill // May 26, 2014
Next in a long line of venerable organizers, Canadian-Colombian writer and curator Juan A. Gaitán was appointed as this year’s curator of the 8th Berlin Biennale for…[read on]
Article by Alicia Reuter, Photos by Florian Denzin // Oct. 22, 2013
It was a typical fall day in Berlin when I visited Ivo Gretener’s studio – housed in Kreuzberg’s Aqua Carré – slightly cloudy…[read on]
Marisa Mandler
by Adela Yawitz // Dec. 22, 2012
Marisa Mandler’s studio is at the end of a sinister block: past soviet housing complexes, the DDR’s Nazi archives, and right before the Stasi prison museum complex…[read on]
Interview by Melissa Steckbauer in Berlin; Monday, Jul. 23, 2012.
As part of Kunst braucht Fläche, a public art installation project in Berlin, artist Melissa Steckbauer conducted the following two interviews on the topic of “intuition”. The first interview is with Ashema Wierowski, the owner of the Be-Touched massage studio in the Kreuzberg neighborhood of Berlin…[read on…]
Article by Melissa Steckbauer – in Berlin; Sunday, Jan. 22, 2012.
A sweeping wooden (or polyblend?) frame just blocks the main entrance of Tanya Leighton’s gallery door. Nothing can be quite as intimidating in the arts as coming into contact with those select doors, lists, and private parties where to “pass” is still a measure of self-assurance…[read on…]