Aug. 23, 2018
In just over a month, Berlin Art Week will commence with a program that includes 20 project spaces, 15 museums and exhibition spaces, 11 private collections, two Kunstvereine, two art fairs and one…[read on]
July 26, 2018
Here we present a video featuring scenes from the exhibition “Welt ohne Außen. Immersive Spaces since the 1960s” and interviews with curator Thomas Oberender, workshop co-curater Isabel Lewis and artist…[read on]
Article by Samuel Staples // July 10, 2018
What does it truly mean to immerse oneself? This is one of the many questions explored in the exhibition ‘Welt ohne Aussen. Immersive Spaces since the 1960s’ currently on view at Gropius Bau…[read on]
Video by BAL Productions // June 11, 2018
Philippe Parreno is perhaps best known for his evolving artworks. No exhibition ends the way it began, and his current show at Gropius Bau in Berlin is no different. Part of the Berliner Festspiele’s Immersion program,…[read on]
Article by Louisa Stark // Apr. 28, 2018
Jonathan Meese, an artist whose work often transports the viewer into his own anarchic imagination, has taken the idea of immersion to the next level in his new work at Gropius Bau. It is billed as a…[read on]
Openings & events at Akademie der Künste, Max Hetzler, Galerie Burster, Berliner Festspiele, PSM, Institut für Alles Mögliche, Künstlerhaus Bethanien, Peres Projects, Galerie Barbara Weiss, Sonntag, Klemm’s, KM, Farbvision, Spike Berlin, Acud macht neu, Pfefferberg Theater,…[read on]
Berlin // Mar. 6, 2018
For the fourth year in a row, venues throughout Berlin will present vibrant programs surrounding music as part of Berliner Festspiele’s 10-day festival MaerzMusik. Prominent locations like Martin-Gropius-Bau…[read on]
Berlin // Jan. 12, 2018
Later this month, the Berliner Festspiele’s 2018 Immersion program will kick off with a three-day conference titled ‘INTO WORLDS. The Craft of Blurring Boundaries’ at Martin-Gropius-Bau…[read on]
Article by Jack Radley in Berlin // Nov. 03, 2017
Tradition at Bayreuth, a festival conceived by German opera visionary Richard Wagner and utilized in 1882 to premiere his final work, ‘Parsifal’, forbids the audience from applauding at the end of the first act. After being denied…[read on]
British, Berlin-based artist Ed Atkins’ HD videos and text-based works create worlds simultaneously hyper-real and undeniably artificial. His current exhibition ‘Old Food’ at Gropius Bau…[read on]
Openings & Events at KW Institute for Contemporary Art, Aurel Scheibler, Daniel Marzona, HKW – Haus der Kulturen der Welt, Berliner Festspiele, Colegium Hungaricum, ngbk, Field Notes, Videoart at Midnight, Museum Frieder Burda – Salon Berlin,…[read on]