‘Smile Driver’ is a fitting entry point to the group exhibition ‘Trance,’ the main exhibition of the 7th edition of Tallinn Photomonth, an international biennial that now broadens its focus…[read on]
In the airy exhibition space of HaL, visitors can encounter five site-specific installations featuring VR works accompanied by both analogue and augmented reality (AR) echoes…[read on]
‘five’ is Rindon Johnson’s first solo exhibition at the Berlin location of max goelitz’s Munich gallery. Based on Johnson’s forthcoming novel ‘Clattering’…[read on]
Arijit Bhattacharyya’s exhibition, ‘Sea of Forests’, questions the respective roles of nature and civilisation. Can we dissolve the boundaries between, and relearn from the…[read on]
‘Pole der Unzugänglichkeit’ (Poles of Inaccessibility) is the continuation of the exhibition series ‘Schwindel’ (Vertigo), which initiated a critical analysis of humanity’s…[read on]
As an introduction to her exhibition ‘Well Beings,’ the figures set the tone for this complexity of emotion that pervades throughout. We’re met with a text at the entrance that situates…[read on]
The heat of a summer night in the city, a fleeting silhouette of a woman by her window, the slit of dying light between the gap of two buildings. These are some of the images evoked…[read on]
‘O Quilombismo: Of Resisting and Insisting. Of Flight as Fight. Of Other Democratic Egalitarian Political Philosophies’ draws on further development of the quilombist…[read on]
There’s a clean simplicity about Julius von Bismarck’s encompassing, biographical exhibition, ‘When Platitudes Become Form,’ at the Berlinische Galerie…[read on]
The relationship between humans and technology, and the ethical implications of the latter, have been the subject of an ongoing debate that draws in all disciplines…[read on]
It is raining and the smell of wet spring radiates from the pavement as I set off on my perhaps overambitious mission to visit 10 Kreuzberg galleries in one evening…[read on]
