Created in the wake of the 2008 global financial crisis, Isaac Julien’s video installation ‘Playtime’ (2013) is an intriguing take on the life-altering repercussions brought on by…[read on]
KW Institute presents the artist’s first comprehensive retrospective in Europe, ‘Martin Wong: Malicious Mischief,’ in which the seemingly incongruous are held together…[read on]
The radical premise behind ‘Eigenface’—Ulrich Gebert’s latest show at Klemm’s Berlin—is that computer vision sees the face as an artist does, that is, aesthetically…[read on]
“A simultaneously sensual, resistant and vulnerable organ” is how curators Julie August and Katharina Koch view skin, and it’s also the starting point of ‘Skin – Membrane, Organ, Archive’…[read on]
The exhibition ‘Just Above Midtown: Changing Spaces’ at MoMA in New York took into account this formidable history and told the story of the space and its artists, using a wealth…[read on]
In ‘Chapel of Care and Rage,’ we are invited to imbibe rich visual imagery of mythical goddesses, animal figures and medicinal plants as they peer down on us from on high…[read on]
In ‘GG,’ Ad Minoliti’s latest show at Peres Projects in Berlin, the white cube has been domesticated. Stepping into the gallery space on Karl-Marx-Allee…[read on]
‘Fakes, Fictions and Forensics’—the first in ‘Gossip Gossip Gossip’s’ ongoing series of events—reconsidered gossip not as “empty talk,” but rather, as emancipatory reappropriation…[read on]
‘What Matters’ is both the question and statement of this year’s presentation of works by the Junge Akademie. In what is considered the most comprehensive display of works to date…[read on]
‘Crush’ is above all an exhibition about desire and queer social exclusion. It reflects multiple journeys and speaks through more than one voice, as the works in the exhibition examine…[read on]
From artificial intelligence programming to slime mould topologies, the works presented cohere in the question of how forms of connectivity have been altered and are…[read on]
By asking what form that modern muse might take today, the exhibition offers a shrewd new angle on the fraught relationship between figurative art and female iconography…[read on]
