A strong line-up for this year’s gallery weekend has implications for one’s sanity, footwear, and visual deciphering abilities (you know, when a piece stops being a piece by an artist, but starts blending into an underlying noise, so that all that is registered is “painting” or “neon” or “large-scale installation with a guillotine”). Actually, speaking of neon, there is rather a lot of it around at GW. Jonas Burgert, Andreas Golder, [read on…]