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Article by Erin Honeycutt // July 03, 2020
‘L’Abécédaire de Georges Adéagbo’ at Barbara Wien is the gallery’s second solo exhibition by Benin sculptor Georges Adéagbo. The title comes from ‘L’Abécédaire de Gilles Deleuze’ (The ABC of Gilles Deleuze),…[read on]
Article by Dagmara Genda // Feb. 28, 2020
The strong discursive bent in Oscar Muñoz’s work arises from the fact that he treats material as metaphor, as a means to meditate on the passage of time.…[read on]
Article by Benjamin Busch // June 03, 2019
How to trace nonbinary relations at the Venice Biennale, an aging institution burdened by spatial subdivision into national domains of representation? With a queer transversal approach…[read on]
Article by Ben Marvin in Düsseldorf // Jun. 01, 2017
“Exhausted is a whole lot more than tired.” Deleuze goes on to say that, “The tired no longer prepares for any possibility.” The tired exhausts inspiration, while the exhausted exhausts his imagination. However…[read on]
Article by Marta Jecu in Lisbon // Feb. 07, 2017
The idea of a potent architecture (a box that not only contains, but also generates solutions) has been a favored utopia across the ages: a house that is mobile, turns into a vehicle and flies…[read on]
Interview by Nicolas Hausdorf in Berlin // Apr. 18, 2016
Television game shows as tools for occupation, feedback loop anthropology and psychoanalysis in the post-national laboratory: admittedly, there is something overwhelming about Lutz Dammbeck’s new film…[read on…]
Article by Alena Sokhan – in Berlin; Saturday, Dec. 06, 2014.
Article and photos by Dina Münzfeld in London; Friday, Jun. 15, 2012.
