Often working on location, Julian Rosefeldt calls himself a “lazy studio-goer” when he’s in Berlin. The space he shares, part of a larger Kreuzberg studio collectively used by fellow artists…[read on]
Ludwig Wittgenstein used the rabbit-duck illusion to observe the interdependent relationship between perception (what is seen immediately) and interpretation (what is seen…[read on]
In October of this year, Palestinian-Danish artist Larissa Sansour opened her sweeping solo exhibition at Amos Rex in Helsinki. The thoroughly darkened underground space…[read on]
In a darkened lower gallery of the Nasher Sculpture Center, a purpose-built ramp leads visitors to the edge of an architectural kaleidoscope. Inside, painted foam creatures…[read on]
About six months ago, Monica Bonvicini had to leave her place at the Uferhallen complex in Wedding and relocate to a new studio. For the first time in 15 years…[read on]
‘Romantic Ireland’—the Irish pavilion at this year’s Venice Biennale, by visual artist Eimear Walshe—explores the history of land contestation in Ireland and intergenerational care, both…[read on]
The Hungarian artist duo János Borsos and Lilla Lőrinc have been working together since 2008 under the fictitious artist persona, Borsos Lőrinc. The focus of their collaborative…[read on]
The curators of ‘Non-Specific Objects’ at Capitain Petzel selected artists whose work actively counters this hegemonic universal promoted by Judd. Through abstraction and…[read on]
Narcisster is participating in the current exhibition ‘The Cult of Beauty’ at London’s Wellcome Collection, which explores the universal myths and constant changing nature of…[read on]
At Pirelli HangarBicocca’s cavernous, industrial exhibition space, Thao Nguyen Phan’s works—videos, installations, drawings and paintings—bring a certain poetic softness…[read on]
