Asad Raza’s expansive cross-disciplinary practice defies categorization. Situated somewhere between performance, installation and curation, its elusiveness can be attributed to many factors…[read on]
Interview by Hannah Carroll Harris // May 26, 2020
A steel mountainous landscape steadily deteriorates in its brine-filled vitrine, turning the once-clear liquid a corrosive dusty orange; a hanging plastic sheet rhythmically moves to a draft of air in the…[read on]
Kari Steihaug’s studio can be found in a large, old brick building on an island five minutes by ferry from Oslo’s busy city centre, and is a place of creative refuge for local artists…[read on]
Article by Hannah Carroll Harris // Apr. 28, 2020
To encounter Rosa Barba’s expansive filmic installations in the flesh is to experience an expert unravelling of the documentary format and a rethinking of how we bear witness…[read on]
Interview by Denisa Tomkova // Apr. 17, 2020
We spoke to Cevdet Erek, Istanbul-based visual artist and musician about his artistic inspiration, his work in Berlin and the difference in performing as a musician in a band and presenting his work to…[read on]
Article by Hannah Carroll Harris // Apr. 14, 2020
Catherine Evans’ quietly confounding works are at once strangely familiar and beyond how we currently know and classify earthly matter. With a background in science, and then photography…[read on]
Applications for Bemis Center’s 2021 artist-in-residence program are now open. For nearly four decades, Bemis Center’s core mission has been to provide artists from around the world…[read on]
Interview by Hannah Carroll Harris // Mar. 11, 2020
Berlin-based painter Beatriz Morales was recently invited to the Museo MACAY to present her first ever solo institutional show in her home country of Mexico. For ‘Planos Disfrazados’…[read on]
Hidden in the hinterhof of a GDR-era apartment block, Galerie Neu is an unexpected find. The former power station that would have once heated the stacks of surrounding flats…[read on]
Interview by Bárbara Borges de Campos // Feb. 25, 2020
Jeremy Shaw is well-versed in creating fictional-futuristic-pseudoscience narratives in his films. ‘Phase Shifting Index’, Shaw’s new installation, opening this week at Centre Pompidou …[read on]
A puzzling sense of displacement grips you as you walk up the stairs to Galerie Nordenhake. What at first appears to be a strangely fragmented conversation between people…[read on]
Article by Bárbara Borges de Campos // Feb. 19, 2020
‘Dhaka Art Summit 2020: Seismic Movements’ is the fifth edition of DAS, which brings together artists, curators and thinkers from different points of the globe to discuss, reevaluate …[read on]
