Article by Emily McDermott // Sept. 05, 2019
Penny Rafferty, Paul Seidler and Max Hampshire speak about their new platform, Ishtar Gate, and its electronic currency, Ishtar, within the framework of STATISTA…[read on]
Openings and events at KW Institute for Contemporary Art, Kulturforum, Kinderhook & Caracas, Galerie im Turm, Galerie Thomas Schulte, Savvy Contemporary, Spor Klübü, Display, Kindl – Centre for Contemporary Art, Kunstraum Potsdam, Galerie Mazzoli,…[read on]
Article by Ernela Vukaj // July 03, 2019
‘speed’ is Heike-Karin Föll’s first institutional solo show. Showing at the KW Institute for Contemporary Art until September 1st, the exhibition is an overview of the Berlin-based…[read on]
Openings and events at Volksbühne, Sonic Space, Kunstverein am Rosa-Luxemburg-Platz, Galerie Eigen + Art, neugerriemschneider, Nationalmuseum, Nordenhake, Between Bridges, Haus am Lützowplatz, Galerie aKonzept, ifa Galerie Berlin, KW Institute for Contemporary Art…[read on]
Openings & events at District Berlin, Galerie im Turm, Galerie Wedding, Haus am Lützowplatz (Neue Nachbarschaft), Kleiner von Wiese, Kindl – Zentrum für Zeitgenössische Kunst, Kunstbibliothek, Tête, Texte zur Kunst (KW, Café Bravo), Xavierlaboulbenne,…[read on]
Openings and events at SAVVY Contemporary, Display, Reiter Berlin, KW Institute for Contemporary Art, Galerie Isabella Bortolozzi, ChertLüdde, Duve, Haus am Waldsee, Kwadrat Berlin, Museum Frieder Burda | Salon Berlin,…[read on]
Openings and events at Rockelmann & Partner, Contemporary Fine Arts, Akademie der Künste, Zilberman Gallery, N.B.K., Capitain Petzel, Crone Berlin, Eigen+Art Lab, Galerie Max Hetzler, Soy Capitan, Galerie Guido W. Baudach, KW, Haus der Kulturen der Welt,…[read on]
Article by E.C. LaMorte // Nov. 20, 2018
Not until today, viewing ‘Womb Life’, had I ever drawn a relationship between clay in a kiln, a baby in a womb and the subconscious within consciousness. But these are the kinds of psychedelic connections…[read on]
Article by Isabelle Hore-Thorburn // Oct. 26, 2018
Beatriz González’s exploration of “lo popular” (the low brow) and “lo cursi” (the tacky) and her contestation of the boundaries of good and bad taste have defined her career…[read on]
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