‘What is a Certified Fake?’ An Interview with Rhea Myers
by William Kherbek // May 13, 2022
Rhea Myers has been creating art using advanced digital blockchain technologies since 2013. Her work is defined by a sophisticated understanding both of computation and programming…[read on]
Article by Lucia Longhi // Dec. 13, 2018
It is often said that cars are prostheses of humans, their performative qualities enabling the extension of natural features. Less often we realize that cars, too, can be prostheses of the landscape,…[read on]
Article by Mitch Speed in Berlin // Dec. 29, 2017
The desire to become a machine belongs to a deceptively proud artistic tradition. Often helpful, machines are also agents of alienation; they usurp our jobs, manipulate our desires, direct our social…[read on]
Interview by Penny Rafferty, Photos by Ériver Hijano – in Berlin; Tuesday, Mar. 15, 2016.
Article by Henry Andersen // Jan. 12, 2015
What spirit possesses the objects in Philippe Parreno’s exhibition ‘Quasi Objects’ at Esther Schipper Gallery, so that they seem to move about of their own volition? Is it the spirit of poetry or that of philosophy…[read on]
Article by AJ Kiyoizumi – in Berlin; Tuesday, Jul. 01, 2014.
Article by Kimberley Brown – in London; Saturday, Nov. 16, 2013.
Blog Entry by Clare Ros– in Berlin; Friday, May 27, 2011.