Andrea Fourchy’s canvases in ‘Bachelors’ at Société are drawn from the golden age of post-war cinema and glossy magazines when Jet Set 1.0 ruled the skies. Looming over all others amidst…[read on]
Blessed with one of the sunniest days of the year so far, I hop on the train and set off into the neighbourhood of Kreuzberg to check out what it has in store for this year’s…[read on]
The exhibition ‘Still Here’ wishes to point out the importance of contemporary art making in imagining a new positive future, in stimulating public dialogue and in healing our…[read on]
Pieter Schoolwerth’s ‘Rigged’ at Kraupa-Tuskany Zeidler (KTZ) explores the ways in which we see the world and ourselves in an age of hyper-mediation…[read on]
On the 12th day of the war, we spoke to Ukrainian artists Victoria Pidust and Volo Bevza about their current experiences, absurdity and how reality is rebuilt by media…[read on]
From painting and photography to animation and sculpture, Fujiwara is known to weave through multiple media, and exemplary instances of this versatility are all on display at…[read on]
The works of the Rome Prize winners of 2019/2020 are jointly presented this year by Villa Massimo and the Stiftung Schloss Neuhardenberg, just outside of Berlin…[read on]
Walton Ford (b. 1960) has been painting large-scale narrative watercolors for 20 years. At first glance, these richly detailed watercolors of animals are reminiscent of the…[read on]
