The works of Henrik Potter, collected at PSM Gallery in an exhibition entitled ‘Souls,’ approaches the task at a slant. Potter eschews traditional painterly representation as…[read on]
As stories of environmental devastation fill our daily news feeds at an increasing rate, how do we come to terms with the fact that we are living in an era of unprecedented destruction…[read on]
American artist Maryam Jafri’s practice is decidedly research-based and interdisciplinary. When delving into a particular topic, she often examines its historical, political and economic implications…[read on]
Caline Aoun is the winner of Deutsche Bank’s Artist of the Year 2019 Award. Her exhibition at Palais Populaire, ‘Seeing is believing’ is an abstract meditation on ways…[read on]
Dec. 23, 2019
The European Investment Bank Institute is offering an artist residency programme for one visual artist or an artist duo. The residency is hosted in Luxembourg from May 4th until…[read on]
Article by Martha Lochhead // Dec. 16, 2019
‘Spectral White’ at the HKW assesses how Europeans may have been depicted in the art of the colonized. The exhibition offers an incomplete reconstruction of ethnologist Julius Lips’…[read on]
Article by Martha Lochhead // Nov. 01, 2019
Influential Icelandic contemporary artist Hreinn Friðfinnsson’s exhibition ‘To Catch a Fish with a Song’ at KW Institute celebrates over half a century of his work…[read on]
Interview by Martha Lochhead // Oct. 28, 2019
In this time of climate catastrophe, it is urgent that we develop a model of society that considers the needs of non-human beings and the planet…[read on]
It’s hotter inside than outside at this time of year, especially in artist Christa Joo Hyun D’Angelo’s sunny third-floor Kreuzberg studio. Floating through the window from…[read on]
Interview by Johanna Hardt // Apr. 01, 2019
Through sculpture, installation and painting, Brooklyn-based artist Elizabeth Jaeger negotiates the relationship between the viewer, their bodily presence and their consciousness…[read on]
by Johanna Hardt // Feb. 06, 2019
Distant thunder, rainfall, winds howling, a murmur of a group speaking softly and unintelligibly, heavy breathing, creaky door hinges, footsteps on squeaky floors, eerie chords, heartbreaking sequences,…[read on]
Article by Jack Radley // Jan. 11, 2019
For Bruce Nauman, touch is sensual and sexual, prohibitive and encouraged, instinctual and directed. Spanning both the Museum of Modern Art and MoMA PS1, ‘Disappearing Acts’…[read on]
