Blink
Chaos and Coherence in Ruohan Wang’s Expansive Practice
by Aoife Donnellan // Jan. 20, 2021
Ruohan Wang’s mesmerising collages combine vibrant colour and geometric abstraction to strike an unlikely balance between playfulness and tranquility…[read on]
Ecologies, Myth and Historical Insistence in Nanna Heitmann’s Photography
by Noëlle BuAbbud // Sept. 30, 2020
In an age of visual noise driven by the rapid circulation of images, and the constant influx of (mis)information on global catastrophes, the German/Russian photographer Nanna Heitmann creates photographs…[read on]
Power and Eroticism in Katherina Olschbaur’s Paintings
Article by Elizabeth Schippers // May 15, 2020
Katherina Olschbaur’s compositions melt human bodies, objects, formal elements and animals in a cluster of different parts, creating assemblages that suggest malleability and possibilities for change…[read on]
Politics of the Body in Emília Rigová’s Practice
Article by Denisa Tomkova // Apr. 29, 2020
Emília Rigová is a Slovak visual artist and academic of Roma origin. She teaches art at the Matej Bel University in Slovakia, where she established the Department of Roma Art and Culture in 2019…[read on]
Material Intimacy in the Work of Catherine Evans
Article by Hannah Carroll Harris // Apr. 14, 2020
Catherine Evans’ quietly confounding works are at once strangely familiar and beyond how we currently know and classify earthly matter. With a background in science, and then photography…[read on]
Reading Cultural Identity in Teresa Solar’s Practice
Article by Bárbara Borges de Campos // Apr. 06, 2020
Teresa Solar’s audiovisual and ceramic works take unexpected routes. Usually resulting from intensive research, her practice is marked by a desire to communicate and express, turning …[read on]
Jeong Hwa Min’s Graphic Experimentations with Light and Form
Article by Ernela Vukaj // July 25, 2019
Jeong Hwa Min is a South Korean illustrator and painter living and working in Gerswalde, Germany. Her work focuses on studying and experimenting with light and shape, and her upcoming…[read on]
Léa Augereau’s Figurative Feminism
Article by Ernela Vukaj // July 08, 2019
Léa Augereau is a Paris-based artist who incorporates her education in fashion design into her paintings. Her work encapsulates the independent, young woman whilst referencing 20th-century figuration…[read on]
NY FEM Factory’s Collaborative Approach to Feminism
May 27, 2019
Founded by New York–based artist Jessica Yatrofsky, NY FEM Factory is a collective that focuses on empowering women through exhibitions and live events around the world…[read on]
Natascha Sadr Haghighian Becomes Natascha Süder Happelmann
Article by Johanna Hardt // May 03, 2019
‘Natascha Süder Happelmann’ provides a perfect entry point into Natascha Sadr Haghighian’s practice – one that strictly forbids a start with biographical details and the usually recitation of exhibitions and awards…[read on]
Petra Scheibe Teplitz’s Cultural Icons
Mar. 19, 2019
For the last 20 years, Petra Scheibe Teplitz has developed a practice involving performances, installations and sculptures that tackle visual icons and reconfigure them to be seen anew. Her series ‘Another day in…[read on]