One visual effect dominates the superb caché of paintings by the American artist Miranda Holmes, which deal with the entanglement of self and other, subject and object…[read on]
In Virginia Woolf’s essay ‘Rambling Round Evelyn’ (1920), she explains that a “good diarist writes either for himself alone or for a posterity so distant that it can safely hear every secret and justly weigh every…[read on]
Sofía Salazar Rosales’ recent exhibition at ChertLüdde ‘The desire to dance with someone who is not there,’ explored the ways in which presence and absence fuel desire…[read on]
Followers of French psychoanalytic theorist Jacques Lacan insist that desire cannot be satisfied, as its object is always beyond reach; desire is a means without end…[read on]
The exhibition ‘Emerging Ecologies,’ which opened at MoMA last autumn, enacted a selective survey of the history of environmental thinking in American architecture during the rise of…[read on]
Jumana Manna is a Palestinian visual artist and filmmaker based between Jerusalem and Berlin. Her recent work includes the feature-length films ‘Wild Relatives’ (2018) and…[read on]
We spoke to Haley Mellin about the importance of integrating conservation into both the content and the concept of her work, and what we as humans can learn from attuning to the natural…[read on]
Alexandra Pirici’s latest exhibition, ‘Attune,’ transforms the historic hall of Hamburger Bahnhof into a vibrant landscape where human and non-human entities come together in a…[read on]
Agencia de Borde (Rosario Montero, Paula Salas and Sebastián Melo) is a Chilean collective whose origins were marked by an initial impulse to exchange conversations across…[read on]
As part of the research for her recent performance work ‘screen play,’ choreographer Hannah Schillinger visited 12 “wounded landscapes” across Germany and the Czech Republic…[read on]
Against this dire backdrop, our new topic, Habitat, foregrounds artists and artworks—across performance, dance, architecture and activism—that re-focus our attention on…[read on]
