While the world is in the midst of a profound transformation, people are yearning for new stories and perspectives in order to dream further, and this year 36th edition of the interfilm Festival is re-confirming that…[read on]
Anna Mikkola’s video work ‘Ghosts in the Climate’ (2019) opens with a superposition of three paintings from Claude Monet’s 41-work series depicting the Waterloo Bridge in London between 1899–1904,…[read on]
The first appearance of refugees as a mass phenomenon occurred at the end of World War I and the number of people fleeing war and persecution has never been higher than it is today. According to…[read on]
‘Sunburst’ consists of a two-part installation made over the course of Canadian artist Amélie Laurence Fortin’s year-long residency at Künstlerhaus Bethanien. The solo exhibition is a continuation…[read on]
We have reached the event horizon where ‘normative’ social, political and economic models show their true distorted tendencies. How many concentric event horizons need there be for the organizing…[read on]
He and his work could be mistaken for Jean-Michel Basquiat but Álvaro Guilherme is no impersonator. Rather, he is creating the Art Brut of today, and he calls it New Brutalism. In Guilherme’s conception,…[read on]
Flames, silver cutlery and humming bees, the drifting hand is the silent narrator but also the protagonist. This fragmentary film is immersed in the idea of transformation of matter by establishing intuitive…[read on]
In an age of visual noise driven by the rapid circulation of images, and the constant influx of (mis)information on global catastrophes, the German/Russian photographer Nanna Heitmann creates photographs…[read on]
The galleries are open. The usual suspects are milling about outside them on the pavements and in the hofs. Berlin Gallery Weekend has arrived in the age of Covid-19 and, at first glance, so many things…[read on]
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