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Goldin+Senneby: Conceptual Art and the Aesthetics of Finance
by Hans Carlsson // Apr. 28, 2023
Goldin+Senneby’s practice relates to a conceptual mode of art-making. They produce idea-based pieces that are often executed by someone else…[read on]
Visualizing Capital: Isaac Julien’s ‘Playtime’
by Adela Lovric // Apr. 25, 2023
Created in the wake of the 2008 global financial crisis, Isaac Julien’s video installation ‘Playtime’ (2013) is an intriguing take on the life-altering repercussions brought on by…[read on]
The Plural Lives of Artists: On Susan Finlay’s Memoir
by An Paenhuysen // Apr. 11, 2023
Susan Finlay’s ‘The Lives of the Artists’ is not explicitly about money (the word “money” doesn’t even make an appearance) but it is there in many guises…[read on]
Repairing the Social Bond: An Interview with Joshua Schwebel
by Cristina Ramos // Mar. 31, 2023
Joshua Schwebel exposes the inner workings of contemporary art through installations, interventions and video…[read on]
Casting Out Demons: Danai Anesiadou at WIELS
by William Kherbek // Mar. 28, 2023
Entering the gallery at WIELS, we find something like an IKEA display designed by Alejandro Jodorowsky. A deep red carpet covers the entire floor of the main space…[read on]
Darren Bader’s Capitalist Realism
by Dagmara Genda // Mar. 21, 2023
In Darren Bader’s current show ‘fünfdreier’ at Société Berlin, the realisation of the five instruction-based works in the exhibition are in large part dependent on …[read on]
Letter from the Editor: Money
by Alison Hugill // Mar. 7, 2023
Through an exploration of this topic, we aim to open conversations around the ways in which money forms the backbone of the art world ecosystem…[read on]
