Exhibition // A Digital Iconoclasm: Oliver Laric’s ‘Panoramafreiheit’ at Schinkel Pavillon

Article by Jess Harrison in Berlin // Dec. 10, 2017
While Max Klinger’s 1902 Beethoven monument is a solid mass of bronze, ivory and alabaster, the version which stands in Oliver Laric’s latest show ‘Panoramafreiheit’, has a plasticity that distinguishes it from…[read on]