Argentinian artist Tomás Saraceno’s Berlin studio is a space for experimentation and testing out intricate ideas. It contains a room devoted to his spiders, who form the basis of Saraceno’s ‘Arachnophilia’ project. Since 2006, Saraceno has been engaged in arachnid research from the perspective of the web. We spoke to the artist during his recent exhibition ‘Algo-r(h)i(y)thms’ at Esther Schipper gallery, about the complexities of these creatures and how they inform his acoustic installations.
Exhibition video of ‘Alliga’ at SFER IK in Tulum, Mexico, which features work by artists Cecilia Bengolea, Aki Inomata and Sissel Tolaas and is curated by Claudia Paetzold.
We spoke to James Ostrer during his studio residency at Melior Place, where he developed the exhibition ‘Post Apoca-Lips’. The space in Bermondsey will become Kristin Hjellegjerde gallery’s new London home in 2021. Ostrer’s work analyses sexuality and the body in society, through a focus on biopolitics. His repeated patterns and cartoon-like figures, made from various found objects, act as commentaries on late capitalism and rampant over-consumption. From a psychological viewpoint, Ostrer is interested in probing the limits of self-help and wellness ideology, positioning himself as both the therapist and the client. His interest in transgressive behaviours and examining our own place in the contemporary food-chain forms a crucial aspect of his practice.
Created to mark the 2019 anniversary, this video profile follows the 30-year history of Esther Schipper’s contemporary art gallery: from its founding in Cologne in 1989, to its relocation and expansion to its current space in Berlin, through collaborations with dozens of artists, including Angela Bulloch, Dominique Gonzalez-Foerster, Liam Gillick, Pierre Huyghe and Philippe Parreno, among many others. MONA created the video profile in collaboration with BoomEar Art Podcast for Financial Times China.
This year, Germany is celebrating the 100th anniversary of the Bauhaus. The exhibition series ‘Unbekannte Moderne’ at the Brandenburgisches Landesmuseum für Moderne Kunst (BLMK) considers aesthetic and social utopias in painting, photography, printmaking and design of the 1920s and 1930s through five complementary exhibitions in Cottbus and Frankfurt (Oder). Museum Director Ulrike Kremeier spoke to us about the exhibitions – entitled ‘Bild der Stadt / Stadt im Bild,’ ‘Im Hinterland der Moderne,’ ‘Das Bauhaus in Brandenburg,’ ‘Neue Städte – Neue Menschen’ and ‘Frans Masereel’ – which reflect the BLMK’s collection and present over 80 artists.
Housing the Human took place on October 18th and 19th at radialsystem in Berlin. The two-day festival showcased five selected prototypes by participating architects, designers and industry professionals – Certain Measures, Mae-Ling Lokko, Simone C Niquille/Technoflesh, Lucia Tahan and Dasha Tsapenko – which addressed the future of human living, shared resources and collective spaces. In the video, the Art Directors of Housing the Human, Freo Majer and Jan Boelen, speak about the festival’s aims, and the designers shed light on their individual proposals for future living.
In celebration of Peaches’ 20-year stage anniversary, the Kunstverein in Hamburg and the Summer Festival at Kampnagel put up the first institutional solo exhibition of the artist, featuring new sculptural, photographic, film and text works touching on topics of sex, feminism, queerness, gender, and new millennium politics. Video by MONA for Peaches’ solo exhibition ‘Whose Jizz Is This?’ on view at Kunstverein Hamburg from August 9 to October 20, 2019.
Otobong Nkanga was recently award the prestigious new Lise Wilhelmsen Art Award, a Norwegian prize for international mid-career sculptors and painters, developed in partnership with the Lise and Arne Wilhelmsen family and the Henie Onstad Kunstsenter. She is currently the Artist-in-Residence at Gropius Bau, undertaking her exploration of natural resources and economic and ecological processes as part of their ongoing ‘In House’ residency programme.
‘JR – Adrian Piper – Ray Johnson,’ brought together three artists from different generations, with different roots and strategies, who share a common focus: an appeal to the viewer to become actively involved in the artwork, allowing it to fulfill its true purpose: only this “pact” between artist and audience brings the often ephemeral artwork to its intended completion.
For the 58th Venice Biennale, Nujoom Alghanem represented the UAE pavilion, presenting her installation ‘Passage,’ that touched on themes of language and identity. The installation was a culmination of 16 years of the poet and artist’s work, weaving together writing, art, and film-making.