Self-described as a strong network of artists and art mediators eager to counter mainstream ableist narratives and work towards inclusivity in arts and culture, Berlinklusion organizes a myriad of events and workshops and offers consulting…[read on]
Contemporary cultural production is upheld by structures that are exclusive, extractive and exhausting. Sickness Affinity Group offers an alternative to an individualized, competitive mode of artistic production…[read on]
The creation of art is often dialogic. An artist establishes a connection with the material world or an interior discourse and produces a work in response. The work of the Berlin-based Mexican artist Manuel Solano is dialogic in both this metaphoric sense of the term…[read on]
Artists create important works in times of crisis, like Bahar Kaygusuz and Eva Vuillemin where they have found a solution during this precarious isolation. ‘Corona…[read on]
Jerron Herman, interdisciplinary artist based in New York, explores movement and performance as a site for bodies to relate and celebrate the sensory awareness of being…[read on]
Marina Rosenfeld’s practice explores social encounters and experimental participation, turning sound into a three-dimensional field where listening becomes an…[read on]
Seeing a bench in a gallery that says “This exhibition has asked me to stand for too long. Sit if you agree,” is a sight for sore eyes—not to mention sore bodies…[read on]
Filmmaker Sandra Heremans addresses collective memory, personal history and decolonizing consciousness in her film ‘The Yellow Mazda and His Holiness’. The filmic…[read on]
Black masculinity is influenced by a long colonial history of slavery, racism, oppression and is, in addition, situated at the complex intersection of masculine privilege…[read on]
Beatrice Gibson’s work is imbued with a tenderness that is difficult to come by these days. Amidst the chaos, violence and impending doom that seems to characterize the present moment…[read on]
There are many lessons that we can learn from the vegetal world, such as how to live together in a non-intrusive way (in the same way that leaves position themselves relative to their neighbours), adaptability to…[read on]
In Polish art history, social practice has its legitimate place. In the 1970s, Contextual artists believed in creating work in specific contexts, and with the moral responsibility of the artist, as well as art’s aim to…[read on]