Tuesday, Feb. 22, 2016 IMAGE MOVEMENT Ellen Fellmann: Moves#109 An evening with Ellen Fellmann Presentation: Tuesday, Feb. 22, 2016; 8:30pm Oranienburger Straße 18, 10178 Berlin, click here for map Wednesday, Feb. 24, 2016 TÊTE 6 Women, 6 Nights, 6 Performances Performances: Feb. 24–29, 2016; each evening at 8pm Schönhauser Allee 161A, 10435 Berlin, click here… Read more »
Article by April Dell – in Berlin; Monday, Oct. 26, 2015.
Contemporary painting is often quoted as commercial, unoriginal, and irrelevant. Theorists have been claiming the death of painting since the establishment of Modernism, and shouts of its resuscitation have echoed since the 1980s. Though perhaps not leading the avant garde in recent decades, painting continues to carry weight in the collections of art institutions…[read on…]
Article by Alena Sokhan – in Berlin; Wednesday, May. 06, 2015.
My walk through the galleries in Mitte
began promptly at 6 pm, Friday evening, when I had anticipated most galleries would open. Even from a distance, as I walked up to Sprüth Magers
I recognized the lump of well dressed people milling about on the sidewalk, the familiar beacon of…[read on…]
Tuesday, Apr. 28, 2015 IMAGE MOVEMENT Moves#86 – REDMOND ENTWISTLE, TATIA SHABURISHVILI Screenings, Talk: Tuesday, Apr. 28; 8:30pm Wilsnacker Straße 60 (click here for map) KINDERHOOK & CARACAS “Dark Monologue” – DAFNA MAIMON Performance: Tuesday, Apr. 28; 8pm Kreuzbergstraße 42e (click here for map) Wednesday, Apr. 29, 2015 GALERIE SANDRA BÜRGEL QUIRIN BÄUMLER Exhibition: Apr.… Read more »
Article by Jessyca Hutchens – in Berlin; Thursday, Sep. 19, 2013.
Blog post by Anna C. Purcell – in Berlin; Monday, July 2, 2012.
In a city so immersed in perpetual artistic and sexual discovery, boundaries and norms cease to exist. And as thralls and thralls of young international creatives flood the now wide open city of Berlin, ideas about conventialism are further lost among the sea of new voices, drowning out generalities with the distinct and diverse intonations of various languages and perspectives.