Korean artist Lee Bul’s artistic oeuvre is permeated with theoretical musings tied to a specific era of feminist thinking. While her large-scale solo exhibition from 2018, ‘Crash’ at Gropius Bau, spanned several decades of her work, beginning in the late 1980s until the present, there was an underlying attachment to a somewhat dated but nevertheless compelling strain of third wave feminism, espoused by thinkers such as Judith Butler and Donna Haraway, and afro-futurist author Octavia Butler.
- Painting in Limbo: An Interview with Petra Cortright
- The Week December 6–31, 2021
- Uncomfortable Laughter: An Interview with Mike Bourscheid
- The Week November 29–December 5, 2021
- Times Art Center Berlin’s ‘Más Allá, el Mar Canta’ Exhibition Program
- Soft Spirituality: Camilla Steinum at Soy Capitán
- The Week November 22–28, 2021
- Embracing Absurdity: Kasia Fudakowski’s ‘The Roll of the Artist’
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