Presented as part of the Berliner Festspiele’s Immersion program, visitors were truly submerged within Parreno’s world: blinds automatically opened and closed; fish balloons floated up and down; Berlin radio stations were audible, then silenced; subtle vibrations created water lily patterns in a pool of water; a bioreactor fed a yeast colony, the microorganisms of which recorded the exhibition’s functioning. One could sense that everything is connected, but, as is often the case with Parreno’s work, it is unclear exactly who or what is in control. In the video, watch as the artist explains the exhibition’s inner functions.
- Are We the People?: An Interview with Lerato Shadi
- Call for Entries: International Photography Exhibition 163
- THE WEEK Apr. 12–18, 2021
- Open Call for Curator-In-Residence at Bemis Center
- New Exhibition Series Connects Intergenerational Berlin Artists
- Poetry as Survival Ritual: An Interview with Cana Bilir-Meier About Semra Ertan
- Peles Empire
- THE WEEK Apr. 5–11, 2021
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.