Posts Tagged ‘exhibition review’
‘Just Above Midtown’ Revisited at MoMA – A Model to Replicate
by Nina Mdivani // Mar. 7, 2023
The exhibition ‘Just Above Midtown: Changing Spaces’ at MoMA in New York took into account this formidable history and told the story of the space and its artists, using a wealth of archival materials…[read on]
Sanctuary of Rest: Marleen Rothaus at ChertLüdde Bungalow
by Gillian N. Osborne // Mar. 3, 2023
In ‘Chapel of Care and Rage,’ we are invited to imbibe rich visual imagery of mythical goddesses, animal figures and medicinal plants as they peer down on us from on high…[read on]
Outer (Safe) Space: Ad Minoliti’s ‘GG’
by Matteo Calla // Feb. 3, 2023
In ‘GG,’ Ad Minoliti’s latest show at Peres Projects in Berlin, the white cube has been domesticated. Stepping into the gallery space on Karl-Marx-Allee…[read on]
‘Gossip Gossip Gossip’ is a Double-Edged Sword
by Nadia Egan // June 29, 2022
‘Fakes, Fictions and Forensics’—the first in ‘Gossip Gossip Gossip’s’ ongoing series of events—reconsidered gossip not as “empty talk,” but rather, as emancipatory reappropriation…[read on]
Tipping Points: ‘What Matters’ at Akademie der Künste
by Nadia Egan // Mar. 29, 2022
‘What Matters’ is both the question and statement of this year’s presentation of works by the Junge Akademie. In what is considered the most comprehensive display of works to date…[read on]
Hidden Pleasures: ‘Crush’ at Feld+Haus
by Nadia Egan // Mar. 25, 2022
‘Crush’ is above all an exhibition about desire and queer social exclusion. It reflects multiple journeys and speaks through more than one voice, as the works in the exhibition examine…[read on]
Inter-Connectivity: ‘Under the Viral Shadow’ at Art Laboratory Berlin
by Alison Sperling // Aug. 31, 2021
From artificial intelligence programming to slime mould topologies, the works presented cohere in the question of how forms of connectivity have been altered and are…[read on]
Performing the Feminine: ‘Neue Sachlichkeit’ at CFA Berlin
by Kristina Foster // July 8, 2021
By asking what form that modern muse might take today, the exhibition offers a shrewd new angle on the fraught relationship between figurative art and female iconography…[read on]
Interior Motives: Grace Weaver’s ‘Droop’ at Soy Capitán
by Noushin Afzali // June 18, 2021
“Grace Weaver went inside herself.” That is how the German art historian, Christian Malycha, begins the press release of Weaver’s latest exhibition at Soy Capitán…[read on]
Teenage Angst: Bunny Rogers’ ‘MS Agony’ at Société Berlin
by Samuel Staples // Jan. 29, 2021
In the latest exhibition ‘MS Agony’ by American artist Bunny Rogers, currently on view by appointment at Societé Berlin, Rogers grapples with identity and addresses…[read on]
Questioning the Social Body: Transmediale’s ‘The Eternal Network’ Exhibition at HKW
Article by Denisa Tomkova // Feb. 03, 2020
This year’s transmediale exhibition ‘The Eternal Network’ calls for more intimate relationships within the network, and for regaining more control, away from centralized digital networks…[read on]