Posts Tagged ‘Göksu Kunak’

Berlin Art Week: The Hit List 2023

Sept. 7, 2023
The 12th edition of Berlin Art Week kicks off next week from September 13th to 17th. To serve as a guide during these intense, art-filled days, we’ve complied a hit-list to highlight some…[read on]

The Week May 8–14, 2023

Openings and events at Sophiensæle Berlin, Speaking to Ancestors, Echoes – Encounters, Laboratories, Excursions, C|O Berlin, Diehl, artnow Gallery, Galerie im Turm, Hamburger Bahnhof, ACUD Galerie, ifa-Galerie Berlin,…[read on]

Visual Essay: Göksu Kunak

Oct. 31, 2022
For the topic ‘Oil,’ Göksu Kunak shares a visual essay based on the performative installation ‘Petrol,’ tracing oil politics in Turkey and delving into the world of the song Petrol (1980)…[read on]

FASHION // An Interview with Matt Lambert

berlinartlink-feature-mattlambert

Interview by Göksu Kunak – in Berlin; Friday, Jan. 29, 2016.

Focussing on intimate stories of insatiable characters, artist and filmmaker Matt Lambert conveys flashes of glee and affection. In Lambert’s world, intimacy is not only affiliated with sexuality. The filmmaker is a visual poet who expertly embroiders stories of youth subcultures…[read on…]

INTERSECTIONS // Berlin-Bucharest: Performance and Queer Timing After the Wall

Article by Göksu Kunak – in Berlin; Wednesday, Oct. 28, 2015.

It’s thrilling to hear stories or watch films about divided Berlin, recognizing an extremely different Potsdamer Platz covered in dirt and dust. I recently visited the university I used to work at as a research and teaching assistant in Ankara, Turkey. One of my professors was studying in Berlin back in 1989. In a proud way, he reminisced…[read on…]

Interview // Hito Steyerl: Zero Probability and the Age of Mass Art Production

Berlin Art Link, Discover, artwork by Hito Steyerl

Interview by Göksu Kunak – in Berlin; Tuesday, Nov. 19, 2013.

In the lecture performance I Dreamed a Dream: Politics in the Age of Mass Art Production (2013), writer and artist Hito Steyerl introduces us to the new Misérables of our era, while asking the pertinent question: Why are there so many art projects today? The absurdity of funding applications, the condition of the wretched who wait to be chosen or the link between museums and firearms…[read on…]