Posts Tagged ‘Katharina Sieverding’

What to See During Gallery Weekend Berlin 2021

a building facade with two large black and white clocks installed on its windows

Apr. 27, 2021

Celebrating its 17th edition this year, Gallery Weekend Berlin officially takes place in more than 40 galleries across the city, showcasing work by both new and established…[read on]

THE WEEK Apr. 26–May 2, 2021

Openings and events at Åplus, Konrad Fischer Galerie, Sprüth Magers, KOW, Die Balkone, Gropius Bau, PSM, Dittrich & Schlechtriem, Klemm’s, Daniel Marzona, Guido Baudach, Tanya Leighton, Tanja Wagner, Galerie Auslage,…[read on]

Announcement // Katharina Sieverding wins 2017 Käthe Kollwitz Prize

Article by Iman Vakil in Berlin // Jul. 18, 2017
After a 50-year body of work, Katharina Sieverding has been awarded winner of 2017 Käthe Kollwitz Prize on account of her experiments into film and photography, and it’s relation to the public. First endowed in…[read on]

THE WEEK July 10–16, 2017

Openings at ZKR – Centre for Art and Public Space, Kinderhook & Caracas, Martin-Gropius-Bau, Dittrich and Schlechtriem, C/O Berlin, Image Movement, Akademie der Künste, Deutsche Bank Kunsthalle, Kienzle Art Foundation, Picture Berlin, Sonntag,…[read on]

THE WEEK December 05–11, 2016

Openings at Momentum, Kühlhaus, Fata Morgana, National Museum, Mavra, Haus am Waldsee, Galerie Thomas Schulte, c/o Berlin, Helga Maria Klosterfelde, Decad, Future Gallery, Videoart at Midnight, Scotty Enterprises, Uqbar,…[read on]

Body // ‘Secret Surfaces: Where Meaning Materializes’

Article by April Dell // Apr. 5, 2016
Secret Surfaces at KW Institute for Contemporary Art is a sensory smorgasbord as its vast selection of works tackle a complex theme: the production of meaning. The exhibition proposes and…[read on]

Auction // Be a Cadaver: Help Christoph Schlingensief’s Opera Village

Berlin Art Link Discover Auction at KW, January 2014, Peter Raue

Blog post by AJ Kiyoizumi, photos by Angela Bushati – in Berlin; Wednesday, Jan. 22, 2014.

At the KW Institute for Contemporary Art on Saturday, patrons sipped champagne in the courtyard next to Christoph Schlingensief’s Church of Fear installation, originally made for the Venice Biennale in 2003. They flitted through their auction catalogues with Schlingensief’s Poles of the Stylites — spray-painted tree trunks cum…[read on…]