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Article by Diane Barbé in Berlin // Feb. 7, 2018
Our hearing system operates in full surround: from the rasp of gravel under our feet to the drone of an airplane high above us, our ears and bodies efficiently locate noise sources in our environment. Yet most music, in the…[read on]
Openings at Berlin Art Week, KW, Positions, ZKR Centre for Art and Public Space, Galerie aKonzept, HAU – Hebbel am Ufer, Institut für alles mögliche, Me Collectors Room, Art Berlin, Box Freiraum, Max Liebermann Haus, Sprüth Magers, Nils Borch Jensen Gallery,…[read on]
Article by Katharine Doyle in Berlin // Sep. 09, 2017
When repurposed to host music performances, churches are known to provide an invigorating space for the experience, mainly due to the aesthetic of the interiors and the acoustics they provide for sermons…[read on]
Article by Katharine Doyle in Berlin // Aug. 25, 2017
This month the German capital’s renowned experimental electronic music festival, Berlin Atonal, returned to its permanent home at Kraftwerk in Kreuzberg. The festival’s extended duration…[read on]
Article by Katharine Doyle in Berlin // Aug. 06, 2017
Live music performances often depend on the accompanying features of venue, lighting, and visuals, which means they require the input of multiple creative disciplines to ensure that attendees undergo a meaningful…[read on]
Blog post by April Dell – in Berlin; Tuesday, Nov. 17, 2015.
