Hannah Carroll Harris // Feb. 26, 2020
To be creative when Romania was part of the Eastern Bloc was to either conform to the strictures of censorship and Social Realism, or to find ways to take your practice underground…[read on]
Article by Isabelle Hore-Thorburn // Sept. 28, 2018
‘Bitter Things: Narratives and Memories of Transnational Families’ at Archive Kabinett examines the significance of things and objects for families separated by the global care chain…[read on]
Article by Jess Harrison in Berlin // Mar. 29, 2018
The exhibition ‘Time Can Space’ at Blain Southern collapses notions of time and space, transporting visitors into the vivid and expressive scenes of Californian landscapes. Works by Romanian painter Marius Bercea fill…[read on]
Article by Alice Bardos in Berlin // Mar. 29, 2016
The concept of ‘drifting architecture’ sheds light on the cultural process of design, techniques and materials flowing outward beyond borders while, paradoxically, the attempted control of these…[read on]
Article by Valentina Iancu – in Bucharest; Tuesday, Oct. 27, 2015.
The death of painting, which was emphatically announced after 1935 and has been repeatedly acclaimed in modernism, post-modernism, while still debated in some artistic mediums, is becoming an actual problem in the new capitalist cultural geographies of Eastern Europe. Being an instrument of communist propaganda, painting is mistrusted by the avidly reformed artistic community of the 90s…
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