Article by Benjamin Busch // June 03, 2019
How to trace nonbinary relations at the Venice Biennale, an aging institution burdened by spatial subdivision into national domains of representation? With a queer transversal approach…[read on]
Article by Sarah Messerschmidt // Feb. 12, 2019
Das letzte Bild: Fotografie und Tod at C/O Berlin covers an astonishing breadth of subjects and eras. Broadly speaking, the exhibition addresses photography’s attempt to reckon with mortality, as well as the human…[read on]
Article by Nathaniel Marcus // Sep. 05, 2016
My point of entry into ‘Poppy — Trails of Afghan Heroin’ was a city in southern Kyrgyzstan called Osh. Spread across four projected video channels was footage shot out of a car window into a slate-colored street at evening, overlaid with a line of text on Osh’s sex worker trafficking…[read on]
Blog post by Melissa Pink – in Berlin; Wednesday, Aug. 12, 2015.
Gravity and Grace is the latest exhibition at
Hochparterre Berlin, featuring the work of North American artists
Kottie Paloma, Zoe Kreye, and
Aja Rose Bond. Here, the three artists transcend the normal uses of materials…
[read on…]
Article by A.H. McGavin – in Berlin; Wednesday, Mar. 25, 2015.
Analog photography’s automatism has always offered a sense of objectivity in its portrayal of the surrounding world, and as a result it has always been valued for its perceived truthfulness. In
The Ontology of the Photographic Image…
[read on…]
