Agencia de Borde (Rosario Montero, Paula Salas and Sebastián Melo) is a Chilean collective whose origins were marked by an initial impulse to exchange conversations across…[read on]
As part of the research for her recent performance work ‘screen play,’ choreographer Hannah Schillinger visited 12 “wounded landscapes” across Germany and the Czech Republic…[read on]
Members of the protest and performance art collective Pussy Riot are currently on tour with their show ‘Riot Days,’ an adaptation of long-time member Maria Alyokhina’s memoir…[read on]
‘Romantic Ireland’—the Irish pavilion at this year’s Venice Biennale, by visual artist Eimear Walshe—explores the history of land contestation in Ireland and intergenerational care, both…[read on]
On the dimly-lit top floor of Fotografiska Berlin, where Shirin Neshat’s recent exhibition ‘The Fury’ is currently on view, striking examples of her distinctive photographic approach…[read on]
Ahead of the exhibition’s opening, Geldhof offered descriptions of many of the exhibition’s site-specific installations, as well as glimpses of hope and possibility in tumultuous times…[read on]
Lauryn Youden’s practice reexamines fundamental assumptions about the intersection between contemporary art and the body’s relationship to space, care and rest…[read on]
This year, the Turkish Pavilion at the Venice Biennale will feature works by established artist Gülsün Karamustafa. Considered one of Turkey’s most influential and outspoken…[read on]
Sarnt Utamachote spoke to us about the making of the film, about the necessity of communal care and mourning, as well as how film, when done sensitively, can become a collective act…[read on]
This year, artist duo Pakui Hardware—Neringa Cerniauskaite and Ugnius Gelguda—will represent Lithuania at the 60th Venice Biennale. For the last decade…[read on]
