During Gallery Weekend Berlin, artist Simon Mullan presents ‘Chronos,’ a spatial, multi-channel video installation staged inside the club setting of Studio 1111 Berlin…[read on]
Sun pours into Dafna Maimon’s Kreuzberg studio on a spring day in March, as we greet each other and prepare for our conversation about the role of the abject in her practice,…[read on]
This year’s Bulgarian Pavilion, opening at the 61st Venice Biennale of Art next month, is framed as the headquarters of a fictional research lab, set in a future political landscape…[read on]
From the back of a rehearsal studio a couple weeks before ‘Roses Rising – The Dinner’ premieres at HAU, I watch as one of Leila Hekmat’s cast languishes on a chaise longue…[read on]
Jagoda Bednarsky is known for her large-scale paintings of other-worldly, dreamy landscapes, where body parts merge with nature. Breast mountains, cockerel flowers,…[read on]
Kyiv-born, Norway-based artist Lesia Vasylchenko works across video, photography and installation, examining how technological infrastructures reshape perception, memory…[read on]
When the world begins to change in ways that seem difficult to stomach, we tend to step towards the past, looking for sympathy but finding empathy. Thematized in…[read on]
As you enter the foyer of Mudam Luxembourg, your eye is drawn upward. ‘Gebedswolke iii (prayer cloud)’—an installation made up of charms, wire and metallic disks—is suspended…[read on]
Abjection and power go together like Deleuze and Guattari, but it’s not always clear which one is in charge. Power dynamics lie at the heart of human relationships, but they’re…[read on]
Monia Ben Hamouda’s work weaves calligraphy, material transformation and ancestral memory into sculptures and installations that oscillate between language and form. In conversation…[read on]
Dörte Eißfeldt’s photography is grounded in the experience of seeing: a relational seeing that holds in view not only the self and the world, but also the photographic object itself, which…[read on]
