Berlin-based, artist-run space, after the butcher, is itself a palimpsest. Though faded, the traces of its former life can be read in its interior…[read on]
This collective exhibition pays homage to Horse & Pony’s past exhibitors and participants in an eclectic show that has become recognizable as the gallery’s own signature…[read on]
Soy Capitan is currently presenting an exhibition by Camilla Steinum, a Norwegian-born, Berlin-based artist whose practice spans different media. In her most recent exhibition,…[read on]
The artistic practice that Fudakowski reflects upon in ‘The Roll of the Artist’ belies the revered Beat poet’s dictum. Instead of “risking” absurdity, Fudakowski’s art often…[read on]
Sonya Lindfors and working group’s ‘camouflage’ (2021) contains props, gestures, dialogues and citations that make us laugh, but not always comfortably…[read on]
There is no monolithic “Black American experience” to be garnered here, but two stark artistic approaches that each point to an interest in reclaiming narratives…[read on]
‘The Future of Cities. Not For Granted,’ presented at the Halle 14 Zentrum für zeitgenössische Kunst in Leipzig, assembles a survey of practices, which hybridize art, architecture, political…[read on]
Colossal, layered and rich in meaning, ‘Metoikos (in between paintings)’ marks the third solo exhibition of Mehretu in this space and is contrastingly paired with a suite of her etchings…[read on]
In his latest exhibition, his first solo show in Berlin since 2018, the Berlin-based, Swiss artist Julian-Jakob Kneer examines the self-mythologizing role of the artist…[read on]
For her latest installation, Henrike Naumann has recreated the layout of Hitler’s famous alpine residence, known as the Berghof in Obersalzburg, except the interior is scattered with…[read on]
The group exhibition ‘Put a Sock in it!’—curated by Lisa Long at Galerie Sophie Tappeiner in Vienna—is a steeplechase where our thoughts stumble and roll, coming out shaken,…[read on]
Curated by Magdalena Mai and Manuel Kirsch, the exhibition ‘Ende Neu’ revolves around destruction as a potential for production. It is at its best when the moment of collapse is…[read on]
