“Desire is a disaster,” Frieda Toranzo Jaeger states in her interview with Jessie Robinson, the curator of the exhibition ‘A future in the light of darkness’ at Modern Art Oxford…[read on]
How does art history influence contemporary artists today? ‘You Me,’ an exhibition featuring works by Jill Mulleady and Henry Taylor, now showing at Schinkel Pavillon,…[read on]
‘Streams of Spleen’ is cut through with bodily references, from fluids to bones to meaty flesh. Nashat has built a site-specific structure within the exhibition space…[read on]
A longing for a new concept of the “American Hero” is palpable in the ‘Gertrude Stein and Superman’ exhibition at Haverkampf Leistenschneider gallery in…[read on]
An opening concert consisting solely of about 60 loudspeakers might seem like a rather understated start to an international new music festival…[read on]
‘The Breath of a House is the Sound of Voices Within,’ takes its title from the words of American artist and architect John Hejduk. The quotation sets the thematic tone…[read on]
In the era of techno-feudalism, one’s fortune is dictated by mastery of the algorithm. Patents, copyrights and know-how serve as the protective walls of modern citadels, shielding the…[read on]
The exhibition ‘this is perfect, perfect, perfect’ at Kreuzberg Kunstraum, on view as part of this year’s transmediale, reflects on the indelible presence of online narratives and the non-stop…[read on]
‘On Rape – And Institutional Failure’ is the second chapter of a long-term research project called ‘A History of Misogyny,’ started by Laia Abril in 2014 to rigorously investigate the modus…[read on]
Karim Aïnouz’s exhibition ‘BLAST!’ taps into this feeling, stirring up a sense of wonder for days gone by through a collection of personal photographs and mundane items…[read on]
The curators of ‘Non-Specific Objects’ at Capitain Petzel selected artists whose work actively counters this hegemonic universal promoted by Judd. Through abstraction and…[read on]
