When I think of food and performance–or art on the wider spectrum–I think of Marinetti and his manifesto for futurist cooking. I think of rites and rituals…[read on]
It seems fitting that Künstlerhaus Bethanien’s large glass facade opens up into Krys Huba’s exhibition ‘All of the records; tell me, bee Becoming B – Chapter 2’…[read on]
Upon entering ‘Liquid Mantras,’ Patricia Domínguez’s solo exhibition at Kunstverein Arnsberg, visitors first encounter an exhibition-within-the-exhibition…[read on]
As I approach the final room of ‘The Personal and The Political’ at Museum Folkwang, the corridors begin to swell with sound. Laughter, the echo of hurried footsteps…[read on]
There isn’t an exact translation in English for the French word “empreintes,” which refers to any impression—from a footprint to a trace to a fingerprint to a stamp…[read on]
After more than a decade, Tatort Paderborn—a series of site-specific exhibitions aimed at reappraising Paderborn’s public space, which started in 2007 and ran through 2014…[read on]
For the uninitiated, the name Ljubljana Biennale of Graphic Arts might be misleading. What began as a biannual survey of global fine art printmaking…[read on]
Art history likes clairvoyants. Divine as a tea leaf, the Brazilian Lygia Clark heralded not one, but three casualties of the field: the death of painting, the death of the author…[read on]
“How can we, as workers of the imaginary, recognize the significance and poetics of being when all manners of racism, war, and patriarchal violence redirect the gaze…[read on]
