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Article by Rositza Alexandrova // Jan. 28, 2020
You would have seen them. The multitude of tiny hats, the sombre homogeneous haloes atop identikit outsized attire – squadrons of sonic savants and ferociously well-read CTM regulars swarming at…[read on]
Article by Bárbara Borges de Campos // Jan. 21, 2020
A mesmerizing, soft AI voice greets you as you come into n.b.k. – “if you use the extract it will poison autocrats” – over a psychedelic series of kaleidoscopic flowers projected on a large screen. Hito Steyerl’s…[read on]
Article by Sumugan Sivanesan // Jan. 17, 2020
Savitri Medhatul from Kali Billi Productions appears on stage before the full house of Sophiensaele’s Hochzeitssaal. “Namaste!”, she beams and the not-exclusively-white audience responds in kind…[read on]
Article by Martha Lochhead // Dec. 27, 2019
Caline Aoun is the winner of Deutsche Bank’s Artist of the Year 2019 Award. Her exhibition at Palais Populaire, ‘Seeing is believing’ is an abstract meditation on ways of expressing intangible processes – such as…[read on]
Article by Marta Jecu in Marrakech // Apr. 25, 2012
Part two of a two-part interview: The Biennale’s accompanying volume Higher Atlas / Au-Dela de l’Atlas: The Marrakech Biennale (4) in Context, edited by the curators, is indeed a collection of contexts…[read on]
