Dylan Solomon Kraus has recently changed studios. Tucked away in a busy, industrial building, near where Charlottenburg meets the Westhafenkanal…[read on]
Marianne Thoermer’s studio has the two key ingredients of light and space. The street outside is peppered with trees—from one sounds the high-pitched call of a redstart and its mate…[read on]
The defining feature of Via Lewandowsky’s practice is not a material or a theme but an attitude—a nearly palpable, restless curiosity. It is also what makes his work so difficult to pin down…[read on]
Merike Estna warns me that her studio will be empty as she tours me through to her recent survey, ‘Soil will not contain our love’ (2022), at Kai Art Center, a first floor exhibition space…[read on]
In a recent visit to Michelle Jezierski’s studio, writer Kimberly Bradley talked to her about the process of painting and more specifically, the genre of landscape painting. In Jezierski’s…[read on]
The sign above the studio entrance reads “Video Inn,” written in all caps and now coloured by an 80s patina. There, we meet painter Elif Saydam, sitting on the steps of the former video…[read on]
Peles Empire’s work thrives off the dialogue between place, historical interpretation, and materiality. The pair—Barbara Wolff and Katharina Stöver—are an artist group…[read on]
On a cloudy December day, I arrive at Rafaella Braga’s studio, located in a quiet street in Treptow. The walls of Braga’s space are brimming with large-scale canvases,…[read on]
Although Jonas Burgert’s work is not firmly identified with a particular culture or time, the genesis of his painted stages, the creation of his enigmatic figures…[read on]
Layers of painted brick unfurl along the façade of the industrial building that houses Tschabalala Self’s studio in New Haven, Connecticut. Inside, the…[read on]
For Hulda Rós Guðnadóttir the world is a community of people, including their surroundings and movements through time and space. She observes the patterns of…[read on]