Interview by Anna Russ, Photos by Susann Zielinski & Tim Adler in Berlin // Sep. 4, 2011
Yujin Lee is a Korean artist currently living in Berlin, whom I met recently at the opening reception of the group exhibition ‘Fume Emits’ at Loop – Raum für aktuelle Kunst…[read on]
Article by Anna Schultz – in Berlin; Tuesday, August 30, 2011.
“Living only for the moment, turning our full attention to the pleasures of the moon, the snow, the cherry blossoms and the maple leaves; singing songs, drinking wine, diverting ourselves in just floating, floating…[read on…]
Article by Marcus Owens – in Berlin; Monday, August 29, 2011.
Ask a Berliner, and most will have a story about an encounter or glimpse of a large wild animal in the city. In Berlin Wildes Leben, part of the Überlebenskunst exhibition and on display at the Haus am Wald See sculpture garden through November, London-based Michiko Nitta and Berlin-based Susanna Hertrich speculate on the future of these interactions…[read on…]
Article by Melissa Steckbauer and Wendy Vogel – in Berlin; Friday, August 26, 2011.
Two perspectives on “Adult Contemporary: Family Romance”, the second edition of Kavi Gupta’s annual summer video series…[read on…]
Interview by Daniel Thomas Berg, Photos by Chloé Richard – in Berlin; Thursday, August 25, 2011.
The COT Theater
is an improvisation performance collective founded in London by director and former art critic Max Ray
and visual artist/physical performer Satu Suomela
. Their shows revolve around improvisation and an interdisciplinary approach…[read on…]
article by Cate Smierciak – in Berlin; Tuesday, August 23, 2011.
In the age of fast, streaming internet video and ever-fewer, fledgling art cinemas bold enough to show video art, single-channel video work rarely finds itself publicly presented outside the gallery – perhaps wedged into the darkest corner, shielded from a din of chatting visitors by a flimsy curtain, or plopped into a cube within a cube, with passers by swinging in and out as dictated by interest or attention span…[read on…]
Article by Elizabeth Feder – in Berlin; Tuesday, August 16, 2011.
And it’s two meters into the gallery before you have to idle and choose.
You could pivot to the left, which is thin and static in its grayness. You could pivot to the right and be enveloped in red text and an inundation of LCD screens. Or you could continue straight ahead and follow the light into a bright whiteness of carefully benign design. I pivoted to the left…[read on…]
Article by Gabriella Picone – in Berlin; Tuesday, August 16, 2011.
The current exhibition at the Me Collectors Room, All Cannibals?, is a delicious spectacle of the eccentric and perverse that forces viewers to reconsider their own cannibalistic tendencies…[read on…]
Article entry by Anna Schultz – in Berlin;Tuesday, August 9, 2011.
Prints and multiples, no matter how limited the editions, are commonly -and often unjustly- criticized for their supposed lack of originality. This antiquated debate is a surprisingly constant factor in art criticism and art historical discourse alike. It remains as prejudiced as it was at the very beginnings of printmaking, more than half a millennium ago…[read on…]
Article by Jessyca Hutchens – in Berlin; Sunday, August 7, 2011.
Brian Leo’s work hits you like a wall of noise or, rather, a wall of noises. On any given wall, a multitude of brightly colored canvases vie for attention. The New York based painter has dubbed his style “Garage Pop Surrealism” and this really couldn’t be more apt. While Garage describes the punk and highly personal elements, Pop is the iconic…[read on…]
Article by Daniel Thomas Berg, Melissa Steckbauer and Elizabeth Feder // Aug. 02, 2011
“Our fine arts were developed, their types and uses were established in times very different from the present…we must expect great innovations to transform the entire technique of the arts, thereby affecting artistic…[read on]
Article by Weronika Trojańska – in Berlin; Thursday, July 28, 2011.
Sound is everywhere. It is surrounding us, even when we don’t think about it, even when we do not hear anything, or rather…especially, when we do not hear anything. It comes from space, from ourselves, from our souls. The whole universe is composed from different sounds, which are produced by every single structure. “When we hear those vibrations our system of molecules vibrates with them”…[read on…]