Traversing Mycelial Networks: An Interview with Monika Czyżyk
by Lorna McDowell // Aug. 29, 2023
Monika Czyżyk was born in Poland and is now based in Helsinki, Finland, with a working studio on the island of Vartiosaari—one of the biggest islands on the Eastern Helsinki archipelago…[read on]
Funny Feelings: ‘camouflage’ by Sonya Lindfors and working group
by Sumugan Sivanesan // Nov. 12, 2021
Sonya Lindfors and working group’s ‘camouflage’ (2021) contains props, gestures, dialogues and citations that make us laugh, but not always comfortably…[read on]
Cultural Reclamation: An Interview with Matti Aikio
by Juan José Santos Mateo // Mar. 23, 2021
Come and gather around this fire. Matti Aikio is going to tell us a story. We are inside his lávvu, a Sámi tent. You can hear crows cawing, and when you see or hear a raven,…[read on]
by Julian Bachmann // Mar. 23, 2019
The Nordic Pavilion’s exhibition at the 58th Venice Biennale is set to deal with the pressing issue of climate change and the challenge of forecasting future patterns of global warming…[read on]
Berlin // Oct. 09, 2017
Since 2013, Helsinki International Curatorial Program (HICP) has offered four one-month residencies in Helsinki to curators of contemporary art each year, in collaboration with Frame Contemporary…[read on]
Berlin // May 24, 2017
This year, Camp Solong, initiated by Berlin-based artists Dafna Maimon and Ethan Hayes-Chute, will take place in the forest of Ekenäs, Finland for the weekend of July 14–17th, 2017 (Friday 10am to Monday 10am)…[read on]
Article by Claudia Grigg Edo in Berlin // May 08, 2017
The Venice Biennale 2017 series offers previews of curatorial and artistic projects presented in the context of this year’s biennial art event. Finnish artist Erkka Nissinen and British artist Nathaniel Mellors…[read on]
Dafna Maimon
by Alison Hugill // Mar. 23, 2016
In the credits of Dafna Maimon’s short film ‘The She The Same’ names familiar from a certain subsection of the Berlin art scene – the more literary types,…[read on]
Blog Entry by SP Williams – in Berlin; Saturday, April 23, 2011.
Hänninen’s approach is obviously of a conceptual nature: through digital processing, color values are removed from the original color photographs of the subject, so that the-now black-and-white photographs serve as the ground for the painting’s components.
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Jane Hughes
by Clare Ros // Dec. 10, 2010
Jane Hughes constructs powerfully evocative compositions that layer photography, sculpture, video, and installation to re-present cultural and historic imprints left…[read on]
