Béla Pablo Janssen’s ‘Theater der Sonnenzuwendung’ is, on just about every level, an invitation—not only to see, but to inhabit. Filling out both floors as well as the stairwells of Aachen’s Neuer Aachener Kunstverein…[read on]
Dominique McDougal and Carro Sharkey’s three-part performance, ‘Did4luv’—a tragicomic dance solo performed by each of the dancers—debuted this month at Sophiensaele’s Tanztage…[read on]
Since 2021, Feireiss has been a visiting professor for transdisciplinary artistic education at Berlin University of the Arts (UdK), where he launched a series of discursive encounters in…[read on]
A dense mound of soil has risen from the glossy floorboards of the Guggenheim Bilbao. Framed with clean lines, not a speck of dirt out of place, this site-specific installation—Delcy…[read on]
Alexander Basil has created a cosmos. His instantly recognizable style and established color palette implicate the subject matter in a process of calm and sure scrutiny. Central to this cage…[read on]
Entering a new year, we revisit a previously featured topic that remains pertinent for many reasons: wellness pervades our thinking about not only ourselves and our bodies…[read on]
Interview by Juan José Santos Mateo // Feb. 28, 2020
They moved the headstones, but not the bodies. The Africa Museum, located in Tervuren, Belgium, is like the ‘Poltergeist’ House. The original idea of the museum came from Leopold II—King of Belgium and owner of…[read on]
Article by Jacob Zhicheng Zhang // Feb. 18, 2020
When an artist passes away, especially after a heart-wrenching event like suicide, how should a posthumous retrospective represent their work?…[read on]
Interview by Lucia Longhi // Feb. 11, 2020
An increasing number of artists are reflecting on the role that technology and AI are playing in our lives. Elisa Giardina Papa’s research specifically cast a light on this crucial topic in relation to our emotional sphere…[read on]
Article by Bárbara Borges de Campos // Feb. 07, 2020
After the Second World War, three out of four of the presidents of the medical association in West Germany were former SS or SA members. By the late 1980s and early 90s, around 80% of gynecologists were male…[read on]
Article by Sumugan Sivanesan // Feb. 04, 2020
If art is an indicator of social wellbeing, Gropius Bau is an example of how major institutions act as intermediaries between state sponsors, corporate interests and their publics, suggesting the…[read on]
